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CASTIGLIONE, Giovanni Benedetto
Italian Baroque Era Painter, ca.1609-1664 Painter, printmaker and draughtsman. Most of his works are scenes of the journeys of the patriarchs (e.g. Noah, Abraham, Isaac, Jacob), drawn from the book of Genesis and filled with animals and still-life detail. His oeuvre also, however, includes many spectacular mythological and religious compositions set in expansive landscapes, and for these he found inspiration in Classical mythology, ancient history, Aesop's Fables, 16th-century Italian literature and the lives of the saints. Early biographers claim that he was also a prolific portrait painter, but few examples, save the so-called portrait of Gianlorenzo Bernini (c. 1648-50; Genoa, Pal. Bianco), have been conclusively identified. His surviving subjects reveal his interest in magic and metamorphosis and in philosophical questions such as the frailty of human life, the inevitability of death and the search for truth.

 

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CASTIGLIONE, Giovanni Benedetto Christ Chasing the Moneylenders from the Temple f oil painting

Painting ID::  5960

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CASTIGLIONE, Giovanni Benedetto
Christ Chasing the Moneylenders from the Temple f
Oil on canvas Mus??e du Louvre, Paris
   
   
     

 

 

CASTIGLIONE, Giovanni Benedetto The Fable of Diogenes oil painting

Painting ID::  5961

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CASTIGLIONE, Giovanni Benedetto
The Fable of Diogenes
Oil on canvas, 97 x 145 cm Museo del Prado, Madrid
   
   
     

 

 

CASTIGLIONE, Giovanni Benedetto Meeting of Isaac and Rebecca fg oil painting

Painting ID::  5962

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CASTIGLIONE, Giovanni Benedetto
Meeting of Isaac and Rebecca fg
Oil on canvas, 124 x 175 cm The Hermitage, St. Petersburg
   
   
     

 

 

CASTIGLIONE, Giovanni Benedetto The Miracle of Soriano fg oil painting

Painting ID::  5963

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CASTIGLIONE, Giovanni Benedetto
The Miracle of Soriano fg
1655 Oil on canvas, 319 x 204 cm Santa Maria della Cella, Genoa
   
   
     

 

 

CASTIGLIONE, Giovanni Benedetto Christ Chasing the Moneylenders from the Temple (mk05) oil painting

Painting ID::  20495

X 
 

CASTIGLIONE, Giovanni Benedetto
Christ Chasing the Moneylenders from the Temple (mk05)
Canvas 39 1/4 x 49''(100 x 124 cm)Acquired for Louis XV in 1742
   
   
     

 

 

CASTIGLIONE, Giovanni Benedetto Adoration of the Shepherds (mk05) oil painting

Painting ID::  20496

X 
 

CASTIGLIONE, Giovanni Benedetto
Adoration of the Shepherds (mk05)
Copper 27 x 20 1/2''(68 x 52 cm)Acquired for the collection of Louis XV in 1742 INV in 1742
   
   
     

 

 

CASTIGLIONE, Giovanni Benedetto The adoracion of the pastore oil painting

Painting ID::  42037

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CASTIGLIONE, Giovanni Benedetto
The adoracion of the pastore
mk166 1663-1665 I Wave on copper 68x52cm Museum of the Louvre, Paris
   
   
     

 

 

CASTIGLIONE, Giovanni Benedetto The rest in the flight to Egypt oil painting

Painting ID::  42040

X 
 

CASTIGLIONE, Giovanni Benedetto
The rest in the flight to Egypt
mk166 1618 I Wave on cloth 205x186cm Uffizi, Florence
   
   
     

 

 

CASTIGLIONE, Giovanni Benedetto Embrace the glory of the Son and Our Lady of Angels oil painting

Painting ID::  58348

X 
 

CASTIGLIONE, Giovanni Benedetto
Embrace the glory of the Son and Our Lady of Angels
Mantova mk261 years 1510-1515 oil on canvas 20 x 16.5 cm
   
   
     

 

 

CASTIGLIONE, Giovanni Benedetto Fable of Diogenes oil painting

Painting ID::  67693

X 
 

CASTIGLIONE, Giovanni Benedetto
Fable of Diogenes
Year mid-17th century Technique Oil on canvas Dimensions 97 X 145 cm
   
   
     

 

 

CASTIGLIONE, Giovanni Benedetto Entrada dos Animais na Arca de Noe oil painting

Painting ID::  77480

X 
 

CASTIGLIONE, Giovanni Benedetto
Entrada dos Animais na Arca de Noe
1650-64. Óleo sobre tela, 150 x 221 cm. Acervo do Museu Nacional de Belas Artes, Rio de Janeiro, Brasil. Date 1650 - 1664 cyf
   
   
     

 

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CASTIGLIONE, Giovanni Benedetto
Italian Baroque Era Painter, ca.1609-1664 Painter, printmaker and draughtsman. Most of his works are scenes of the journeys of the patriarchs (e.g. Noah, Abraham, Isaac, Jacob), drawn from the book of Genesis and filled with animals and still-life detail. His oeuvre also, however, includes many spectacular mythological and religious compositions set in expansive landscapes, and for these he found inspiration in Classical mythology, ancient history, Aesop's Fables, 16th-century Italian literature and the lives of the saints. Early biographers claim that he was also a prolific portrait painter, but few examples, save the so-called portrait of Gianlorenzo Bernini (c. 1648-50; Genoa, Pal. Bianco), have been conclusively identified. His surviving subjects reveal his interest in magic and metamorphosis and in philosophical questions such as the frailty of human life, the inevitability of death and the search for truth.